A M.A.C Cosmetics esteve presente na Semana de Moda de Paris e causou nas maquiagens, tudo estava um arraso !!!
CHLOE
“70’s Stevie Nicks.” LUCIA PIERONI
FACE
M·A·C Studio Waterweight SPF 30 Foundation (available Autumn/Winter 2015) applied in a thin layer over the face with the 188 Small Duo FibRE Face Brush to even out skin tone
Studio Finish SPF 35 Concealer applied as needed to perfect
Vintage Rose Cream Colour Base Pro Palette blended over the cheeks with the 159 Duo Fibre Blush Brush for a natural, “non-makeup” look
Hush and Pearl Cream Colour Base mixed together and blended over the high planes of the cheekbone, bridge of nose, Cupid’s bow and chin with fingertips to create subtle highlights
EYES
Groundwork Pro Longwear Paint Pot applied over the eyelid and along the roots of the lower lash line, using the 224 Tapered Blending and 219 Pencil Brushes for an “invisible”accentuation to the eye
Lashes were well curled and the brows were simply brushed to groom
LIPS
Lip Conditioner (Tube) applied to hydrate and soften the lips
KENZO
“Expression with a tribal freedom.” AARON DE MAY
FACE
Concealer was applied as needed over primed skin to perfect
Pearl and Luna Cream Colour Base blended with moisturizer and applied over the high planes of the upper cheekbone, bridge of nose, Cupid’s bow and chin to highlight
EYES
M·A·C Eye Shadows were used to fill and perfect brows as needed to naturally groom
M·A·C Pro Pure White Chromaline blended through the socket of the eye with the 239 Eye Shader Brush, applied freely with abandon, following the natural shape of the eye
LIPS
Lip Conditioner (Tube) applied to hydrate and condition the lips
Lip Conditioner (Tube) applied to hydrate and soften the lips
NAILS
M·A·C Studio Nail Lacquers in Soirée, Rebel and Nocturnelle were used to create
HAIDER ACKERMANN
“Sublime beauty of the Haider woman.” TOM PECHEUX
FACE
Mineralize Charged Water Face and Body Lotion applied over the face to instantly hydrate and soften
M·A·C Studio Waterweight SPF 30 (available autumn/winter 2015) Foundation blended over the face to even out skin tone
Studio Finish SPF 35 Concealer applied as needed to perfect
Prep + Prime Transparent Finishing Powder/Loose swept lightly over the T-zone to polish and set
EYES
M·A·C Pro Pure White Paint Stick dabbed over the eyelid, lightly through the brow, around the tear duct and under the eye, using fingertips for a subtle application
Luna Cream Colour Base blended under the eye for a bit of dimension
LIPS
M·A·C Pro Lipmix in Magenta and Mid-Tone Nude mixed together to create a peachy lip
ISSEY MIYAKE
“It is about relating the sophisticated playfulness and simplicity of a kaleidoscope
to the Miyake collection.” ALEX BOX
FACE
Studio Sculpt SPF 15 Foundation and M·A·C Studio Face and Body Foundation were blended together for a sheer mix of coverage to even out skin tone, with the addition of M·A·C Pro Naked Pigment for an extra-added glow
M·A·C Pro Pure White Paint Stick used to create a “kite” shaped stencil on one side of the cheekbone, and dusted with Prep + Prime Transparent Finishing Powder to set
A stencil was also placed on the opposite side of the face at the outside of the eye in one of the following colour combinations:
M·A·C Pro Marine Ultra and Hi-Def Cyan Paint Sticks mixed together for a brilliant blue M·A·C Pro Genuine Orange Paint Stick and M·A·C Pro Virgin Isle Cream Colour Base mixed together for a vivid coral
M·A·C Pro Primary Yellow Paint Stick and a drop of M·A·C Pro Hi-Def Cyan Paint Stick mixed together to create a golden chartreuse
Prep + Prime Transparent Finishing Powder was used to set
LIPS
Lip Conditioner (Tube) applied to lightly condition and soften the lips
A.F. VANDEVORST
“Somewhere between a wild thing and a styled thing with the brows.” INGE GRONARDW
FACE
M·A·C Studio Waterweight SPF 30 Foundation (available Autumn/Winter 2015) blended over the face to perfect with an undetectable coverage to skin
Luna Cream Colour Base applied on the upper cheekbone and above the brow bone to highlight
EYES
The brows were filled in with Brun Eye Shadow with an exaggerated line shaded under the arch and slightly extended to define
Blacktrack or Dipdown Fluidline used to further accentuate and underline the shaded archof the brow and to create the “wild” hair effects at the start of brow
Upwardblack Upward Lash (available Autumn/Winter 2015) swept solely through the upper lashes to lift and define
LIPS
Lip Conditioner (Tube) blended over to hydrate and condition the lip
ANN DEMEULEMEESTER
“A girl on the run with disheveled makeup and wind swept hair.” RUDI CREMERS
FACE
M·A·C Studio Waterweight SPF 30 Foundation (available Autumn/Winter 2015) applied over
Mineralize Charged Water Moisture Gel in a sheer veil to even out skin tone and perfect, leaving the eye area clear and natural
EYES
Dusk Cream Colour Base Pro Palette applied over the eyelid and through the inner corner, swept up to the brow leaving the outer section of the eye bare, using a 242 Shader Brush
Copperplate Eye Shadow pressed all over Dusk Cream Colour Base in the same shape and through the lower lid to define
Keep Your Cool Pro Longwear Eye Shadow roughly swept over the centre of the eye, allowing the natural skin texture to show through
Keep Your Cool Pro Longwear Eye Shadow was also added in patches under the eyes in a non-symmetrical way to accentuate
Lashes were well curled Clear Brow Set brushed through the brows to add texture and naturally groom
LIPS
Lip Conditioner (Tube) applied to hydrate and soften the lips
Studio Finish SPF 35 Concealer blended over to mute the natural colour of lips to finish
CARVEN
“Jane Birkin, 60s, beautiful girl…she woke up looking refreshed.” NINA HAVERKAMP
FACE
Studio Finish SPF 35 Concealer applied over moisturized skin as needed to perfect with a natural finish
Ladyblush Cremeblend Blush blended over the apples of cheeks with the 188 Small Duo Fiber Face Brush
Taupe Eye Pencil applied on top the lash line and blended through with the 219 Pencil Brush
EYES
Lashes were well curled and swept with one coat of Endlessly Black Extended Play Lash to lift and softly define
LIPS
Fleshpot Lipstick applied over the lips with fingertips for a muted pale nude to finish
MANISH ARORA
“Joan of Arc, Game of Thrones, regal women coming out of battle.” KABUKI
FACE
M·A·C Pro White Studio Face and Body Foundation blended into the model’s appropriate shade
of M·A·C Studio Face and Body Foundation and applied over the face to even out skin tone and perfect
W10 from M·A·C Studio Conceal and Correct Palette/Light applied to the upper cheekbones and eyelid to highlight
Melon and Vanilla Pigments mixed with M·A·C Pro Mixing Medium Shine applied over the high planes for an added highlight to skin and followed with M·A·C Pro Reflects Gold Reflects Glitter to finish
Taupe Powder Blush Pro Palette blended under cheekbones to contour
EYES
Dusk Cream Colour Base Pro Palette applied from the inner crease below the brow and swept out and upwards to contour, then blended under the eye to create a triangular shape from a profile view
LIPS
Lady-Be-Good M·A·C Retro Matte Liquid Lipcolour (available Autumn/Winter 2015) applied as a stain over lips
To complete the look, M·A·C Pro Gold Metal Pigment mixed with M·A·C Pro Gel Mixing Medium was applied over the lip a gestural movement to finish
MANISH ARORA
“Joan of Arc, Game of Thrones, regal women coming out of battle.” KABUKI
FACE
M·A·C Pro White Studio Face and Body Foundation blended into the model’s appropriate shade of
M·A·C Studio Face and Body Foundation and applied over the face to even out skin tone and perfect
W10 from M·A·C Studio Conceal and Correct Palette/Light applied to the upper cheekbones and eyelid to highlight
M·A·C Pro White Pigment was mixed with M·A·C Pro Mixing Medium Shine and applied over the high planes of the face for an added highlight and followed with M·A·C Pro Reflects Pearl Glitter to finish
Taupe Powder Blush Pro Palette blended under cheekbones to contour
The ears received a gestural movement of M·A·C Pro Platinum Pigment mixed with M·A·C Pro Gel Mixing Medium to complete the look
EYES
Dusk Cream Colour Base Pro Palette applied from the inner crease below the brow and swept out and upwards to contour, then blended under the eye to create a triangular shape from a profile view
LIPS
Lady-Be-Good M·A·C Retro Matte Liquid Lipcolour (available Autumn/Winter 2015) applied as a stain over lips
M·A·C Pro Gloss Texture mixed with M·A·C Pro White Pigment and M·A·C Pro Reflects Pearl Glitter for a pearly, white gloss highlight over the lips to finish
NAILS
M·A·C Studio Nail Lacquer in Screaming Bright was applied for a base of glittery gold on nails
RICK OWENS
“Rick went to an exhibition on the Mayans and was completely inspired…” LUCIA PIERONI
FACE
The face was perfected with a shade of foundation one to two shades lighter than the actual skin tone to create a beautiful and ethereal look
Prep + Prime Transparent Finishing Powder lightly swept through the centre of the face to polish and set
EYES
Brows were bleached out and toned with lilac and white powder as needed, then brushed upwards to groom, avoiding any brow gel to set
Blacktrack Fluidline was used to create a heavy, square-angled liner drawn from the inner corner of the eye to the outer corner, elongating into a teardrop shape, with Feline Kohl Power Eye Pencil applied through the waterline to intensify and perfect
LIPS
Lip Conditioner (Tube) used over lips to soften and condition, then blotted to avoid any shine The natural lip colour was then toned down with foundation or concealer and left completely bare to finish
GIAMBATTISTA VALLI
“A girl obsessed with mascara. She leaves her makeup on from the night before,
takes a shower, and reapplies mascara.” VAL GARLAND
FACE
M·A·C Studio Waterweight Foundation (available Autumn/Winter 2015) applied to perfect and create beautiful looking skin
Sweet Salmon from M·A·C Trend Forecast Fall 15/Lip (available Spring 2015) blended over cheeks for an undetectable flush
Luna Cream Colour Base applied over the upper cheekbones to highlight
EYES
Endlessly Black In Extreme Dimension Lash applied liberally over the upper and lower lashes for a chunky effect
Risqué Techankohl Liner applied through the waterline to open and brighten the eye
LIPS
Lip Conditioner (Tube) applied to hydrate and soften the lip, then blotted for a natural look to finish
VERONIQUE BRANQUINHO
FACE
M·A·C Studio Waterweight SPF 30 Foundation (available autumn/winter 2015) applied with
the 190 Foundation Brush over moisturized skin to even and perfect
Matchmaster Concealer blended under the eye to even the tone and brighten as needed
EYES
look 1:
Uninterrupted Pro Longwear Eye Shadow was used along with Soba and Cork Eye Shadows and softly blended over the eyelid, up to the inner corner of the brow, using the 217 Blending Brush
Haute & Naughty Brown Lash swept through the lashes to define
Feathers were adhered with Duo Adhesive, ranging on a scale from small to large starting from the outer edge of the eye
look 2:
Carbon Eye Shadow applied with the 217 Blending Brush and softly blended over the eyelid,
up to the inner corner of the brow
Haute & Naughty Black Lash swept through the lashes to define
Feathers were adhered with Duo Adhesive, ranging on a scale from small to large starting from
the outer edge of the eye
LIPS
Lips were conditioned with moisturizer to soften and perfect
IRIS VAN HERPEN
“Walking through a misty cloud.” INGE GROGNARD
FACE
M·A·C Studio Waterweight SPF 30 Foundation (available Autumn/Winter 2015) chosen one shade lighter than the skin tone and blended over the face to perfect
Luna and Pearl Cream Colour Base blended over the upper cheekbones to highlight
M·A·C Pro Invisible Set Powder swept over the centre of the face to polish and set
EYES
Risqué Technakohl Liner applied through the waterline of the eye to remove any redness
Studio Finish SPF 35 Concealer blended through the brow to softly lighten the brow colour and tone
LIPS
Lip Conditioner (Tube) applied to hydrate and soften the lip
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